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Grapefruit Radio

by Rhys Langston

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Book/Magazine

    Published by Black Market Poetry, this paperback will serve any operator of Grapefruit Radio well in their explorations across Langstónian form and content.

    Featuring Rhys Langston's rhyming verse on record, his original art in full color, and auxiliary prose regarding Langstónian scientific history, the Grapefruit Operator's Manual is a carefully crafted multimedia guidebook direct from The Estate of The Lord Chocolate Davis.

    (includes code to download the album in full)

    Length: 85 Pages
    Publisher: Black Market Poetry
    Size: 5" x 7"
    ISBN: ∆ √ ∆ - ∂ -π ∫ π -∆ Ω ∆ ∫ ∫ - ø
    ships out within 3 days

      $20 USD or more 

     

1.
kamer-yunker outside the library tower historical figures on a suspension bridge literary references reneged, postmodernists glower Harryette Mullen on the internet doing readings walking around Los Angeles with Japanese syllables and nary a transplant is an organ donor keepsakes in so far as trampling begonias in Chelsea boots and redressed malfeasance is wont to so finish the action or declaim the stanza while asking my opinions on the latest cyborg minstrelsy I only hear Peter Frampton in Fermat’s theorem drinking fernet to drown these pillory norms this infinitesimal underground parochial hobnob circle jerk purist, hierarchical porn rather lose me in my process in Santee Alley bestowed with fake watches with the time unwound so I’ll breath upbraiding and dressing down I will no longer dress down I will do it no more because I purvey the obscenely poetic in and of itself kamer-yunker makes collages of deconstructionist paper befriends his labor turns it extroverted tucks it in at night, bedside reads it Hegel Black identity trapeze artist balanced with bagels, capers augments corporality in scales minor and major, intervals, quad flavors bemused refusing sexual favors (you know, not because chastity is a virtue or anything… it’s just preference) the way stuffing is dressing the eventide is an invitation to one’s own beheading on the internet neurons halved and the speakers seem to be listening as poetry is cancelled as a dead fad literally a run-off elective as digital recall takes trains of thought to a time after brown bound hands drove spikes in red clay and across continents writes the self-congratulatory high yellow Carl Chessman let in to his grad program on admissions of guilt possessing 45 limericks and five long rifle weapons (well not that violence is a sole solution… but it is part of praxis I don’t know) and now you see why it’s obscene for me to be expressing my thoughts so freely I should be tied up and held down but no one will do that
2.
[chorus] progressive house conservative ligature what’s the mouthpiece to do when caught up on the video short selling triplexes for shares of NVIDIA geothermal index on a rolodex in living rooms [verse] kitchenette trivia dismember beans of landlords clean up on the aisle industry of placating chores heavy plumage, petrochemicals, petrichor, Petyr Baelish rushing ending due to producer’s estate executors beseeching expedient narrative, declarative clearance / Clarence, vector / Victor in-flight meal with a plate of zeal awarded to those that got their prepared statements already languished but I’m oft anguished that I’m most happily distracted unworked protozoa, proletarian and comatose just for jokes in the Canadian imaginary rocking a bubble coat the whole continent in leaflets, endnotes referendum votes on commonwealth reapportioned to pop-lock dislocation motion and redress original people’s original history with tissues and lotion well that’s revisionist bullshit like creative manners to skip and erase from moment to moment abstract, realist, most problematic version of futurism when pulled by bootstraps of your country, brocade leather had its spikes blunted [chorus] x2 [Fatboi Sharif] swam in aquarium Golden Gate bridge sheltered rocks at Shea Stadium monopoly moon drug kept Jesus captive in a cornfieeeeeeeld searching for a new woooooooorld battery double d's Elvira's wide-eyed application climax last scene shelter the wealthy iron cast psalm shadow dry eyes from miss tragedy underline sickness heaven sent taught by your majesty prescribed second string pills harbor possession braaaaaaain soul searching faulty LSD googles all the saaaaaaaame [chorus] x2 [verse] love in the time of Steve Bannon (let me slow this down real quick) open carry with my rap canon I philander in Castilian to some syncopated jazz standards. “We don’t make that kind of music,” I answer front face camera updates for the story cues card preserve my laughter the studio’s the audience the mix is the master on seven to ten second loop ’til the here is the after now streaming: unoriginal series of status updates I take every interview in a fugue state executive orders signed with delayed tape that rapper-producer hyphenate early bird special to venerate that autocrat, anarch ark, matter of fact slap whosever daps cited all yeah point to the all of that case in point like saying black, “You see these social inequities inside my club bangers?” the rhyme-drunk rap sanger on a dais, turning over spit and pages to release them flamers so I suggest you do your research player!! [chorus]
3.
blacksmith Django with all the fingers hammering on overtones unchained selling photos of the forge to tabloids, incognito metal dinger summer income in noir winters alliterated birth certificate each frame illustrated so the legend is accessible for those less literate disseminating the synonyms democratizing the chagrin let all plaintiffs be plaintive when defendants guarantee wins and appellate got wrong syllable emphasis (like what?) esdrújula marked atop a rutabaga root note truancy avoiding Kamala Harris’ booty warts aquiline hamsteak in a pantsuit for glass ceilings and ladders no chutes for a lowercase T in veritable etymological roots new client got me up late night breaking down syntax in a wooden pipe up a fifth floor walk up chalk it up to my time in Suran House of Earthly Delights Muckraker Jones been on the phone multiple personality soliloquy given a long distance dial tone burying the lede in a gossip column like Raskolnikov on Pawn Stars refusing easily offered loans ask/axe to the face questions in AAE “like, can I get surveillance tapes for the corporate offices of BET?” (I don’t know) slipped through the back entrance covered my tracks with a Brazilian butt lift berimbau strung around my blue collar neck and down to the coat stitches in the trenches (like what?) I needed proof, a mechanism, a device, a motive a manner of explanation self-apparent to even the most oblivious of brutes but, decahedron spell cast ten points burden of responsibility, like in a corner cubicle found a list of censored approaches to artistry burned the analog copy erased the backups detonated the sodium metal of my blood pressure readings but the private eye blinked so my evidence never made my own proceedings damn!
4.
[The Koreatown Oddity] kicking doors off the hinges being ignorant a lot of Black musicians couldn’t come through the entrance had to go through the kitchen even if the reason why people buy tickets was ‘cause their name was on the marquee i don’t need the car keys to get me started just a push of a button if you comprehend the jargon ‘cause me and mines we gonna get ours regardless a gem still shines through amongst the pile of garbage who gonna get thrown the farthest when we’re talking about trust I danced on the tarpits and didn’t get stuck once, what’s a box? (what is it?) an irrelevant element especially when I expand the space within beyond the measurements, bullshit they selling it just to be employed and I ain’t buying it with credit or bitcoin I’m from the LA when Big Boy was a big boy as a kid eating spaghetti at Bob’s Big Boy wicked gremlins get a small window to enjoy the payback is more digits when I send the invoice opposition is met with laughter you gonna respect my craft like classic Black actors: Delroy Lindo, Keith David, Clifton Powell young Black and gifted with infinite styles no tricks gimmicks or thirty day free trials [Rhys Langston]: my political awakening began as a Black kid in a synagogue recitation of ancient rites turned digital from analog obsessed with consumer tech I stayed inspecting specifications on IGN and CNET longsword was my major skill and I chose the small afro in The Elder Scrolls III: Morrowind you know, comparatively, to racist online trolls I was something like the Xbox Live voice chat Colin Kaepernick fin de siècle, you know the mid-aughts’ snail’s pace in high speed technology rebooting a DSL modem and dunking on regulation at 14 just to load up the Afro-eccentric character creation screen: real bifurcated Negro nerd bumping Vernon Reid and watching Tayshaun Prince highlights, post-tournament eating pickled turnips and mistaken for Persian in Van Nuys (you know, I mean I could probably learn some Farsi on the side, whatever) misidentification of Rhys Langston so it goes what I’ve surmised in feeling single Black mother renting a two bedroom in Los Feliz, me and my brother not realizing that was a zenith 20 years later the rental market got us leasing our European features now forms this cane river Creole teetotaling 21st century genius and you can either recognize or you can suck my latte-colored prosody (thought I was gonna say something else didn’t you?)
5.
reclaiming mind against the dictum charge your phone on a hill in an art park as a public health crisis echoing siren on the unseen boulevard below in the same arrhythmia undiagnosed at this moment, personal nationalism corporally broaching my subject, on a predicate’s edges to fall like I am jumping into a retweet about rock-bottom healthcare not the specialist I am, no bespoke regicide hotline with a high deductible upheaval electing for broken electronics, I will schedule therapy once played enough quartets of snark and I plant by bare feet far from my intial thoughts’ street view; to see now all metaphor unbecoming
6.
[chorus] in the suburbs of Babylon entertainment denouement journalistic integrity lost in ancient Chaldea on the shores of the Levant bemoaning the trap as foreign arms selling borderlines and aid as mephitic carte blanche [verse] inches, yards, false starts colonial rules and parochial hearts of palm dates crestfallen and cottage cheese aged in interethnic conflict rewound and paused shuffling interleaved arrows; mutually exclusive discontent irrigated to streams of bone marrow imperialist Will Smith crying on a projection that our slogans lack the precious mettle celebrity conductors please stop your coal exhaust rappers please clarify your statements and languish any opportunity cost; what is it, what it ain’t corrugate dependent clauses send Thomas Jefferson’s ectoplasm through an infernal noise gate (and among other things I have to just ask) please decolonize your VSTs set trip on the hegemony print wavs to pamphlets at Senate proceedings before them disrespectful elders distribute the hearing aids upturn your lip and bare your teeth [chorus] x2 in the suburbs of Babylon
7.
marinara in the Marianas tortellini at high tide sloppy when drives collide floppy, anhedonic the chords tonic, wiry Giannis-like oktapodakia, falafel out the troika great barrier reef with the lightness in sharp relief, refined with toothpicks and twine a seaman’s knot many leagues below professional comebacks under the Tuscan sun with an Etruscan truncheon Fox Searchlight on the shore licensing Black Power music made by Italians the hull breached in AAE vernacular barnacle anagrams and ramshackle detritus and facile Kwame Ture’s face plastered full mast around the port and archipelago is that Europe’s boot to Africa? where geography be cross-fading the people two decks at bat culinary wave caps, chef’s hats, bonnets Robert Irvine yelling at me deadlifting the volta of a Petrarchan sonnet plating dishes, reading receipts hierarchy on high heat in the kitchen thawing all my frozen beliefs is this what it feels like to rap about the culinary arts and oceanography? (I don’t know) marinara in the Marianas tortellini at high tide
8.
[Rhys Langston] Rhys Langston type beat dissociating before a mirror meet and greet the Negus of Narcissus skin fade from a 3B intaking reflections fathoming a deeper chest heave gentrifier of color cosplay clutching ABV rhyme tome to Far Rockaway ashy ankle in the causeway flood upon the link in bio-dome Pauly Shore type careerist in diachrome, like minus the jaundiced arches and diabetic crowns has it a certain way: with race-induced psychosis from cultural mitosis to live as a hologram of colonial blood quotients ethnic tackle upon the Bass Pro rod flung into the ocean and with a perfect mount sings as one enters the threshold the counter beeper rings for what more pedestrian masters bring Chocolate Davis type serve: silver platter Jehovah’s Witnesses playing doubles twin shares yielding thirds Chocolate Davis type serve: eyewitnesses of the trouble reporting (what, what) the capital Word Chocolate Davis type serve Chocolate Davis type serve! Chocolate Davis type serve: silver platter whet whistle ring finger uncovered flipping the bird!! [Frankie Jax No Mad] been a problem since the nine fifth, seen the ankh on the chest think he from the crypt, if I’m honest kid, trust the aura switch, words slick through the orifices, assist if u see three six insisting, I’ll ring bells to the cerebell, when the road curve it’s a straight L, can’t tell bonobo from homo to alien to ‘nother alias till I’m riding on the spaceship, what’s the maiden name, all saints raise palms to the sky and pray, what y’all say, brother ándale, rat race to the sky, what the fuck guess I’m waiting to die, but living eye to the prize, and am I in a disguise? should I tell em goodbye? nah nigga I’m too nice, see ‘em roll on the dice, get right see a different typa light, no price on the life, Iron emperor lion with some soul on his side,
9.
[Jouquin Fox] tooth and nail for our sanity, tooth and nail for this bachelor’s degree. smoking mids, watching alt-right, left extremes. Arizona, Antarctica fields; over-consumption is a black liver, sloth sin. too much sabbath makes Jack drunk, jealous, heavy. too much work and he’s dull. confusion from over-stimulation makes him manic even full detachment drives him to Riker’s. Questlove doesn’t look at social media before noon. under consumption, a pill, an hour, criss-cross, apple sauce: hands in the lap. of a therapist, their hand’s tight transmissions in psychic wards, over hers. could be into healing’s unwinding waters. [Rhys Langston] pharmacology in front effects creative director with the after effects inclusive of all discontents exclusive first run in-step when the prescription is snuff strawberry blond moustache smeared jerky Bachelor’s chewed tough framed in whale bone excavated from bluffs this is a fraction of a penny per stream as avant-garde before antitrust cloud sound as fermented fish in nordic playlist cigarette butts puffed on the fjords of social welfare iron ingots and settlers flaxen and fair now paying tolls and fares ad homonym homophone pectin, gum arabica sucked dry by Norse tongue like even the God of War pink-washed the Blades of Chaos in Pepto Bismol and Tums sublimated his diuretics in diurnal rhythms and David Jaffe’s on the apocalyptic internet putting premiums on poorly designed polygons tragically, in other news the metaverse now needs disambiguation, fuck.
10.
[Big Flowers] this that shit that keep you warm this that fleece! out of every fold out of every crease coming fucking clean word to Rhys! I don’t need no grease just like my drive I read between the lines message redefined, redistribute wealth crumbled earth and paper only real alliance mumbled something about my earnings and I felt realigned, stopped my stumbling natural heat I don’t need appliance, I got half a mind to lay my chips on the table, splash the woodgrain even if though they all cracked, mama taught me never gamble keep all my eggs outta one basket, burning like Hot Cheeto by the dozen Frito Lay down to my frame, wicker man chasing artisanal bags to the bitter end I touch green and see the color of my fit change to match it, stash what’s little left underneath the mattress sleeper cells for the cash like we walking up in Reno, either that or on scene for Casino Royale, word is bond, Barry still, I know y’all barely understand me, double strength elastic y’all gonna have to rubber band me, but my airhead stretched so wide it’s hard to manage 6h no parry ain’t only one way to terminate the plot nah it varies, keep some herb mixed with my motivation while it’s cherried chariot carry me home they can bury me there when I’m pile of bones it’s gonna be a while though [Pink Navel] Buzz Light Year astro blasters traveling to Emerald City with my headphones blackened from the heat… lolling, cool meme, I guess discrete if you assume it’s calling, me the artistry of being weird is pretty deep, I noticed i was nervous with my pointed feet inward like a pizza shop, french fries when you need to stop.. thats like some mnemonic memorization device used for safety one could also say that rapping has the same inflation but… does it ? I achieved all this from using Magic Muffin I resume all beat making with past concussion a witness, i guess the sentence should’ve finished I tongue tied is a phrase frequently utilized, three times a day at the drive through could you super size? no? that's fine I'll just take a number four, a number five [Rhys Langston] I’ll take the 405 to rap on the world’s largest standing bridge to plush generousness forwarding the gap in the beat to the next artist outsourcing the verses solely speaking the ad-libs DJ Khaled muff diver breathing like Enrico Caruso under the ribs [Old Grape God] I like posse cuts and tossin' my guts on the canvas, literally, I got a brush in my hand at this goddamn moment my name longer than your discog I’m not a proponent of any get rich quick scheme this diction ain’t free from friction I steep the psilocybin just bingin' on my addictions I’m only happy when I’m makin' shit I’m only happy when I’m makin' shit I’m only happy when I…fuck it, let this Safeway Chinese food soak up my depression for a minute, free thoughts get me lit, standin' up for myself they thought it was a bit, wipe the snot from ya lip that drip ain’t fly, is that a costume or is it your disguise? do shake go with them fries? I’m only happy when I make up my mind— sometimes I wake up blind with angels yelling in my ear, sometimes I go to sleep weeping someone else’s duct puddles, backwood drier than the other side of the pillow, swallow them human-sized pills and my pride at the same damn time, grandpa tellin' me to change the color of my glass, but all that’s left is red wine, I need a digestif for my digestif, went for a walk for more blocks than Mutumbo’s career and I didn’t find peace just street after street
11.
I will stop at nothing extend limb and feel mobility crushing un-sequenced, scattered luxuries and my voice box full of stuffing dressings, fixings, MacGuyver’d epoxy, aluminum wire, ready-made sculpted tableau portmanteau union broken by below rust belt blows will wind knock sheet body rock to headspin to boogaloo to failed coups on placating cable news even suspended maneuvers staying shrewd: one thousand platitudes unmoved, unmoored history set in sound pack loops, auto dictation guns at the ballot box of the collective imagination critiquing the political ecology domain on a scrambled IP all the way to mutated anomalies re-reckoned unmastered stem files laid separate; root directory necklace piece excuse me getting lost in phenomenological spreadsheets the Parthenon of taxonomist upkeep a stop sign that in fact hides specificity repurposed chi, hemming on leopard print jeans with an ethical slut mouthpiece all up everywhere yelling “au contraire” in the vanity beignets fried laissez-faire even crisped and sugared the footnotes rarely does it take this little for me to coat a separatist throat entire spinal column limited to 600 words of experts' comparative quotes insurance don’t cover the vertical though so I step horizontal into un-quantized chainlinks of events with neither carabiner nor gold-capped incisors for the lack, but not the diminution hurdling inertia on the side of less is more yo, I will stop at nothing and when that lap time is best I’ll set the pen, brush, string on the floor and start huffing, an allowance to bend and stretch more than subservience means over-trusting but trust busting cupcaking in colonial contests fluffing the unsolicited thrusting across timelines and talk show specials trimming regions as vestal (shit!) I will stop at nothing till I’m a vessel made vegetable made self-aware Michael Richards heckler made the limit as sense approaches the accessible as what’s far is just what’s next to you as featherweights are to bullion cubes heavy metal to satin shoes, bespoke with patch cable twine looms reclaimed copper and tungsten tubes I am magnetized and I move!

about

In many shades this is the second volume of The Chocolate Davis Sessions:

11 tracks of wild styles, performed, recorded, and mixed by me, with a renewed focus over the plethora of guest production.

As an artist who has performed, recorded, produced, mixed, painted, copy-edited, designed, sometimes mastered whole albums in equal pleasure and necessity, I no longer accept comparisons to artists who solely do the bare minimum— namely, rapping passably.

However, the resourceful enterprising I’ve continually performed takes a mountain of energy.

This project is getting back to the wheelhouse: to simplify the approach, languish a few duties, and in that, hone back in on the main instrument.

Because the rap musician is a soloist.

credits

released September 14, 2022

words and rhymes by Rhys Langston

featuring Big Flowers, Fatboi Sharif, Frankie Jax No Mad, Jouquin Fox, The Koreatown Oddity, Old Grape God, Pink Navel

beats by nahhphet, Opal-Kenobi, Orlando Kennedy, .rael_one, randal bravery, Rhys Langston, spinitch, whose

recorded April 2021 - January 2022

mixed by Rhys Langston
mastered by Daddy Kev

cover painting and design by Rhys Langston
(more at www.langstonia.org/visual-art )

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all rights reserved

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Rhys Langston Los Angeles, California

From smoked salmon to freshwater microphones.

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