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lyrics
I would love to be in the park
playing the trumpet badly
freeing notes from staff
yellow-bone Radagast in
minor C
unbalanced influx of Montana cans and
strollers, woven synthetics
old Seoul auntie curling her rollers
last bite goes that bibimbap, kibosh
6:30, D. Purdy’s long play is local high-gloss
under this nervous trellis
copper wire dog god
electrical tape Iditarod
and this settlement’s a populist fog
on the carousel of Venice
yellow lights and rotisserie calisthenics
used to be the Hortator of al pastor
Latino-Byzantine quarter my Balmora
lived in the sound of the street
on corner first floors
REM in the tire screeches,
midnight lovers' quarrels
locksmith duplicating brick and mortar chances
just to return to normal
(check)
sprawled out to the door to stevedore
the freight that’s in my mind
this is my change of address form
but a disambiguation
sprawled out to the door to stevedore
the freight that’s in my mind
the freight that’s in my mind
this is my change of address form
I would love to walk the block
without making machinima
rooster teeth retainer gasp when pulls
body salt bath plug
and rising up my yellow reddened
RNA tarpaulin is consistency’s malefactor set in
florescence becomes mismatched cosmetics
dysphoria wrote a cento at Sephora
the body fills the bag of the rental
so vast, vacant, canned fishing leasing
is sentimental
my seal, that’s a broken apostrophe
hidden on front porch for thought’s colostomy
gabacho of the ficus trees
where my ancestors rested knees
fled mob violence
sharecropper teleologies
so I render these:
particle board morals
re-integrated on the Expo line
to disconnected shores
this is my change of address form
(check)
sprawled out to the door to stevedore
the freight that’s in my mind
this is my change of address form
but a disambiguation
sprawled out to the door to stevedore
the freight that’s in my mind
the freight that’s in my mind
this is my change—
sprawled out to the door to stevedore
the freight that’s in my mind
the freight that’s in my mind
this is my change of address form
see, my melancholia lactates, burns and
nurtures a deep state,
conspiratorial and not quite generative
so I submit this form
for that I may change terms
of what is my representative:
a transport of delight across
a corybantic surface, reflective
so I submit this form
for that I may change terms
of what is my representative:
a transport of delight across
a corybantic surface, reflective
to something more generative
credits
released October 1, 2021
written and performed by Rhys Langston
produced by Black Milk
mixed and mastered by Willie Green
the definition of idiosyncratic; a beautiful, raw odyssey through depersonalization and free association against the canon and toward a new one Rhys Langston